How Creators and Artists still Thrive in the Collaborative Age

With the Fourth Revolution came the collapse of creative industries such as the music industry, the publishing industry etc. It is relevant to ask what became of the artists and creators. Were they also destroyed by the tsunami? In an excellent piece ‘The Creative Apocalypse That Wasn’t‘, the New York Times Magazine gives a clear answer: no, actually the artists are rather thriving. It is the industry around them that crumbled.

Focus the value on the artist, not the industry around him
Focus the value on the artist, not the industry around him

The entire business model of creativity has been put on its head. The collapse was incredible: “The global music industry peaked just before Napster’s debut, during the heyday of CD sales, when it reaped what would amount today to almost $60 billion in revenue. Now the industry worldwide reports roughly $15 billion in revenue from recorded music, a financial Armageddon even if you consider that CDs are much more expensive to produce and distribute than digital tracks.”

Obviously, recordings don’t sell so well any more and their value has decreased. To compensate, live shows are an increasing part of the value creation, and their price has increased tremendously (“In 1999, when Britney Spears ruled the airwaves, the music business took in around $10 billion in live-­music revenue internationally; in 2014, live music generated almost $30 billion in revenue“). And, in general, there are more professional musicians now than before, which shows that one way or the other, they get a share of the remaining value.

I definitely concur with the conclusion of the article: “I suspect the profound change lies at the boundaries of professionalism. It has never been easier to start making money from creative work, for your passion to undertake that critical leap from pure hobby to part-time income source. […] From the consumer’s perspective, blurring the boundaries has an obvious benefit: It widens the pool of potential talent. But it also has an important social merit. Widening the pool means that more people are earning income by doing what they love.”

Overall the Collaborative Age encourages expression and creates value and income for creators. The border between full-time and part-time professional is just blurring like in many other occupations.

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